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www33rfd.com_www33rfd.com_【申博最领先】

文章来源:SEO    发布时间:2019-06-25 07:45:30  【字号:      】

www33rfd.com_www33rfd.com_【申博最领先】Emperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisure

Emperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisure

Emperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisure

Emperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisure

夜经济成为城市“软实力”东南沿海最活跃#标题分割#人工智能朗读:如何给消费者创造更加多元、差异的夜间消费场景,或将成为城市竞争的一条新赛道。【现象】最近,在各地出台的新一轮促消费政策中,“培育夜经济”一词频频出现。北京、上海、天津、重庆等城市纷纷推出举措,提出要建立夜间经济示范街、地标型夜市。数据显示,今年“五一”小长假,夜间消费金额占全天的29.92%。总体看,我国夜间经济已由早期的灯光夜市转变为包括“食、游、购、娱、体、展、演”等在内的多元夜间消费市场。【点评】城市的夜幕下,蕴藏着一片巨大的、有包容性的消费场景:夜间经济。人民日报2019年6月21日讯夜生活古已有之,但“夜间经济”一词历史并不长。这一经济学概念自20世纪70年代诞生之际起,就有着鲜明的拉动内需、促进消费等导向。如今,它更成为衡量城市繁荣、生活舒适度与便利度的重要指标之一。2017年,上海地铁线逢周末、节假日前最后一个工作日延长运营1小时,就引发不少讨论:多出来1小时,将为上海“夜间经济”带来哪些变化?夜经济带来的一个典型变化,就是“深夜食堂”的兴起。统计显示,2018年国内夜间餐饮消费额较上年增长47%。究其原因,与人们作息整体推后不无关系。有调查显示,上海双职工家庭7点后才能吃上晚餐者达到近42%,这意味着餐饮、休闲、娱乐都要推迟,催生更多“夜猫子”,也推动了城市消费格局的变迁。尤其是当80后、90后年轻人成为消费主力军,他们对夜市、夜场电影等有着更强烈需求。24小时便利店,是租房时的重要参考;24小时不打烊书店,也是年轻人晚上活动的重要场所。这些新生事物,推动消费时空悄然变化。夜经济,是城市活力的重要指标。有研究者发现,全国夜间经济消费东西差异明显,北京与东南沿海最活跃。这对于忙着引才的各地,或许也构成启示:既然年轻人喜欢夜经济,那么打造更有吸引力的城市夜经济,培育更适合年轻人居住的休闲环境,也能成为一种“软实力”。当然,点亮城市的灯光,更要做强夜经济的产业基础,这是因为,夜经济的繁荣说到底是以第三产业的发达为支撑的。因此,我们既需要在城市发展中积极引导,也要给予各种业态充分的生长空间。夜经济,也需要城市治理升级。比如,公共交通的运营时刻与便利程度直接影响人们的夜间出行。不论是消费者,还是餐饮、休闲领域的服务人员,都仰赖便利的公共交通。如果他们都不得不赶着时间回家,夜经济便无从谈起,这是需要十分注意的一个细节。除此之外,治安状况和停车便利程度等,也都是提升夜经济品质的必需品。最近,上海借鉴国际经验,建立了“夜间区长”和“夜生活首席执行官”制度,这意味着夜经济的城市竞争,正进一步拓展到治理层面。一方面,夜经济需求比想象的更旺盛,增长潜力十分巨大;另一方面,诸多有价值的商业与文化资源,还有待激发。在餐饮消费、购物消费与城市灯光秀之外,如何给消费者创造更加多元、差异的夜间消费场景,或将成为城市竞争的一条新赛道。夜经济成为城市“软实力”东南沿海最活跃#标题分割#人工智能朗读:如何给消费者创造更加多元、差异的夜间消费场景,或将成为城市竞争的一条新赛道。【现象】最近,在各地出台的新一轮促消费政策中,“培育夜经济”一词频频出现。北京、上海、天津、重庆等城市纷纷推出举措,提出要建立夜间经济示范街、地标型夜市。数据显示,今年“五一”小长假,夜间消费金额占全天的29.92%。总体看,我国夜间经济已由早期的灯光夜市转变为包括“食、游、购、娱、体、展、演”等在内的多元夜间消费市场。【点评】城市的夜幕下,蕴藏着一片巨大的、有包容性的消费场景:夜间经济。人民日报2019年6月21日讯夜生活古已有之,但“夜间经济”一词历史并不长。这一经济学概念自20世纪70年代诞生之际起,就有着鲜明的拉动内需、促进消费等导向。如今,它更成为衡量城市繁荣、生活舒适度与便利度的重要指标之一。2017年,上海地铁线逢周末、节假日前最后一个工作日延长运营1小时,就引发不少讨论:多出来1小时,将为上海“夜间经济”带来哪些变化?夜经济带来的一个典型变化,就是“深夜食堂”的兴起。统计显示,2018年国内夜间餐饮消费额较上年增长47%。究其原因,与人们作息整体推后不无关系。有调查显示,上海双职工家庭7点后才能吃上晚餐者达到近42%,这意味着餐饮、休闲、娱乐都要推迟,催生更多“夜猫子”,也推动了城市消费格局的变迁。尤其是当80后、90后年轻人成为消费主力军,他们对夜市、夜场电影等有着更强烈需求。24小时便利店,是租房时的重要参考;24小时不打烊书店,也是年轻人晚上活动的重要场所。这些新生事物,推动消费时空悄然变化。夜经济,是城市活力的重要指标。有研究者发现,全国夜间经济消费东西差异明显,北京与东南沿海最活跃。这对于忙着引才的各地,或许也构成启示:既然年轻人喜欢夜经济,那么打造更有吸引力的城市夜经济,培育更适合年轻人居住的休闲环境,也能成为一种“软实力”。当然,点亮城市的灯光,更要做强夜经济的产业基础,这是因为,夜经济的繁荣说到底是以第三产业的发达为支撑的。因此,我们既需要在城市发展中积极引导,也要给予各种业态充分的生长空间。夜经济,也需要城市治理升级。比如,公共交通的运营时刻与便利程度直接影响人们的夜间出行。不论是消费者,还是餐饮、休闲领域的服务人员,都仰赖便利的公共交通。如果他们都不得不赶着时间回家,夜经济便无从谈起,这是需要十分注意的一个细节。除此之外,治安状况和停车便利程度等,也都是提升夜经济品质的必需品。最近,上海借鉴国际经验,建立了“夜间区长”和“夜生活首席执行官”制度,这意味着夜经济的城市竞争,正进一步拓展到治理层面。一方面,夜经济需求比想象的更旺盛,增长潜力十分巨大;另一方面,诸多有价值的商业与文化资源,还有待激发。在餐饮消费、购物消费与城市灯光秀之外,如何给消费者创造更加多元、差异的夜间消费场景,或将成为城市竞争的一条新赛道。




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